在非遗文化安顺屯堡地戏表演中，表演者首蒙青巾，腰围战群，戴假面于额前，手执戈矛，随口而唱，应声而舞。面具是地戏表演的重要元素和身份转换载体。树木经过破胚，雕刻、打磨、上色等，被天赋异禀的手艺人巧手点化，雕刻成一个个栩栩如生的面具。面具雕刻是对大自然的第二次创作与诠释，也是手艺人的第二天性，一双手，一柄刀，解释了他们的一生。

In the performance of the intangible cultural heritage of Anshun Tunpu, performers wear warrior-like attire with a wood mask covering their face. Adorning this, the dance and sing ecstatically. The mask is an important element of the performance and catalyzes the identity transformation. The masks also have their own intricate journey before they find themselves on the stage. From a tree struck down, wood is carved, polished, colored and painted skillfully by talented craftsmen. Masks are the second creation and interpretation of nature, but also the second nature of the craftsmen and their hands when equipped with tools and creativity.